Claire Bigley explores the space between on calming single, "Embodiment"
Led by a simplistic yet inspired instrumentation, Claire Bigley has created something utterly beautiful on her newest single, “Embodiment”. Please read on for an in-depth look into the track, as well as a background on this artist.
Created with the “intention of awakening the body”, there’s something extremely calming and serene about the latest musical delivery from Claire Bigley. It’s a new fully instrumental track titled “Emodiment” that grounds the listener, urges them to focus within, and ultimately gives an appreciation for a slightly minimalistic style in song composition. We’ve sincerely enjoyed our multiple listens and cannot wait for everyone out there to dig right in.
Currently based out of New Orleans, Louisiana, Claire Bigley is an immensely talented pianist who has so clearly put her heart and soul into the creation of “Embodiment”. Her initial inspiration for creating this was the want to “ground, calm, and engage the listener” and also to “create space and connection”. In the wild world that we all live in, everything seems like we’re in a constant state of fast forward or looking towards the future, however what this song brings to the table is the incessant urge to live in the moment. Time slows down for three beautiful minutes in which your focus shifts to the subtleties within this full instrumental, slowing the senses, and putting the body at a calming state.
With plenty of other works similar to these in her growing discography, of course we would urge everyone out there to do a deep dive on what they’ve probably been missing. So much music of the present has this hyperfixation on attention grabbing and gimmicky hooks, but what “Embodiment” does best is focus on taking your time, leading up to something big, and generally giving the body the break it so rightfully deserves. The more we’ve come back to this song, the higher the payoff has been in noticing the work, love, and passion that has gone into it. If for some reason this happens to be your introduction to Claire Bigley, take our word for it and please give it a spin.
~We Write About Music/Music Blog
Claire Bigley releases Embodiment, a powerful piano composition to invoke the feeling of community
Setting the tone with elegant and melancholic keys, Claire Bigley opens Embodiment with an enigmatic energy and and emotive, transcendental performance.
The opus expands with a dimensional nature and speeds up in tempo, generating fluid moments which lend themselves to a sense of intrigue and rawness. The charismatic delivery of the piece is tangible.
Halfway though the piece, the composition takes on a minimalist energy which feels meditative and draws us in deeper than we imagined. We appreciate the the way that Embodiment breaks down, going full circle back to the original melancholic energy that we first experienced. We connect with the prowess with which Claire Bigley performs, and the passionate and dynamic undertones of her delivery.
Speaking on her artistry, Claire Bigley confesses, “This song was created with the intention of awakening the body. I wanted to ground, calm, and engage the listener. I also wanted to create space and connection. I used some of the hymn, Shall we gather at the River to invoke the feeling of community to this spaciousness.”
We learn that Claire Bigley plays the piano and keyboard on all of her music. She is classically trained, and now finds herself playing in a more improvisation-based manner. She quiets herself, sits at the piano and allows what she is experiencing to flow through her fingertips.
Claire cites Chopin, Debussy, Nils Frahm, and Olafur Arnalds as some of her influences, although it is clear that she is creating a sonic universe of her own.
She adds with intention, “I recorded this track at the end of June 2022 just after Roe vs. Wade was debunked. My community felt powerless and deeply hurt by this. During this time I couldn’t get the hymn, Shall we gather at the River, out of my head. Such a powerful reminder of how effective gathering in love can be.”
We appreciate the depth and authenticity with which Claire Bigley creates, and have added Embodiment to our New Music Spotlight playlist, whilst we stream her wider discography including Solitude and Awaken the Deep.
~ KIMU
https://www.edgarallanpoets.com/embodiment-is-claire-bigleys-single-indie-music/
https://rgm.press/rgm-introducing-we-interview-american-artist-claire-bigley/interview/?fbclid=IwAR0M8f6Jkdf6wz_6ii4Rgu82_QFxdt0wx-psq7dp73OVsQcfTwwQDoIhiD4
Claire Bigley’s ‘Embodiment’ is a very dreamy and moving composition, her artistic choices leave all listeners feeling content and soothed as soon as those sweet harmonies are heard. This is the perfect music for those who have a strong liking for solo piano compositions and wholesome background music alongside work or study.
I imagine this being a great piece to help people feel at ease after a long or stressful day, as the clear and fulfilling melody line captures all attention leaving one entranced in the vivid imagery it provides. - AIMEE STOKES
I thoroughly enjoyed Claire’s use of dynamics, making the melody flow in a way to make the sound fade in and out, adding to the dreamy symbolism of the piece. Her style of simplistic melodies is similar to Italian composer Ludovico Einaudi’s piece ‘Temple White’ as he too uses simple chord patterns in this piece to create a highly moving performance. Claire could make her beautiful melodies sing even more with some fuller chords in some sections, to really emphasise the tone and harmonies of the piece. I thoroughly enjoyed this composition and will continue to listen when in need of winding down after a long day.
~ Aimee Stokes/TPLJ News
Who has never been enchanted by the solitary sound of the piano? We have no doubt that it is the instrument that transmits greater emotion with each touch of the keys, provoking the deepest sensations in the listener, regardless of preference for musical genre. The recitals are usually disputed and among the silence of the audience during the performance, the latent emotion before the faces in this sensorial process is perceptible. And fatally, the same fascination with the beauty of the arrangement that struck me, will also extend to you, reader, who will hear “Embodiment”, an erudite lament loaded with simple drama, unleashing a moving character in its prospection.
New Orleans singer Claire Bigley, despite the claimed influence of great legends of the classical scene, such as Chopin, Debussy, Nils Frahm and Olafur Arnalds, drains personality through her pores in this interpretation, denoting a subliminal artistic identity. And to think the production was completely independent, her keyboard was connected to her laptop's GarageBand in her guest room. The inspiration that provided the touch of each key as something sublime to our ears, came from a home opportunity, which leaves us really impacted and perplexed with such beauty split from furtive simplicity.
Regarding the concept promulgated in a piece so touching to our hearts, exhaling eagerness and caressing simultaneously, the author talks about the past artistic process: “ any piece of music that has the power to reach the soul of a listener and wrap it in a blanket of thinking and contemplation is clearly working at a level that demands more from the listener than simply listening”, this quote by Andre Avanessian, from Radio Airplay, and which exquisitely synthesizes the entire experience treated. When it comes to classical music, we usually think that nothing will surprise us anymore, but after listening to “Embodiment”, we realize a new and brilliant sigh in front of the genre. Enjoy it because it's simply SENSATIONAL!
~Roadie Music/Blog